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Isabelle Grangé
Being abstract today not to give the influx of over-exposed images,
this is the challenge. Isabelle Grangé compels us to ask us to look. We
are at this crossing point between light and shade, still amazed that
we have to wait for the eye finds the feel of a new acuity. Earth and water did reveal never really separated the limit. The precise gesture of a technical volunteer for the incantation that
opens space: pigments land of Siena, ochre yellow and red, white,
black, and water in which the battle between the mineral and water, n
It is never won. The light, between the protagonists and gives
pervades the size of forces. We then take our measure faces a nature
that is more that of a paradise, such as Barbizon landscapes or
Courbet, Turner accents or classical Chinese painting. Isabelle Grangé invites us to seek "in sueri" new universe.
Daïmôn [2005] - 195 x 114 cm
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"An invocation of the landscape"
Extract
Isabelle Grangé does not painted landscapes, it brought landscapes. Where? Both of his own deep, his memories, his dreams and other travel,
as those of matter itself, its laws opaque, its dense enigmas, its
heavy secrets. But these worlds, so convincing, also present, not just
obviously not alone. It took the appeller.Et it took energy, knowledge, know-how, non-knowledge and not-do also, and even a little trance. Isabelle Grangé creates a world as a medium relies on a spirit or
a shaman's ally. And it is also not surprising that it is inteéressée
these areas, but certainly unclear how powerful and present human
experience. Probably the same is this, this approach almost mediumnique of
his work, illuminating his matiérisme a light so little materialistic,
at the same time that its landscape an aura presqu'australe ...
Gérard Barri
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2006 Travel imaginary
The light. It is paradoxical obsession Isabelle Grangé. This young artist has learned to paint by studying Rembrant and Turner. But she also understood the messages Zao Wouki, Gerhardt Richter,
Mark Rothko, great contemporary masters of the subtleties of light. Designed in shades of brown or blue (earth, sky) his paintings
eventually explode in deep black, under which clartés percent,
underlying vibrant. His paintings are crazy vessels for travel most fertile imagination.
Jacques Bouzerand
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An invocation of the landscape
Extract
" steles of light or darkness pure, upright as the face of accusations of landscapes that mix. Vertical uncertain as a memento of human ... Ridden areas, horizons cropped on the night inside. Listening
sources dark contemplation in the darkness, meditation along faults. Zozen on the edge of potholes. "
Gérard Barrier
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