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  Isabelle Grangé



Image Présentation
Being abstract today not to give the influx of over-exposed images, this is the challenge. Isabelle Grangé compels us to ask us to look. We are at this crossing point between light and shade, still amazed that we have to wait for the eye finds the feel of a new acuity.
Earth and water did reveal never really separated the limit.
The precise gesture of a technical volunteer for the incantation that opens space: pigments land of Siena, ochre yellow and red, white, black, and water in which the battle between the mineral and water, n It is never won.
The light, between the protagonists and gives pervades the size of forces. We then take our measure faces a nature that is more that of a paradise, such as Barbizon landscapes or Courbet, Turner accents or classical Chinese painting.
Isabelle Grangé invites us to seek "in sueri" new universe.

Daïmôn [2005] - 195 x 114 cm



Image Matrice
"An invocation of the landscape"

Extract

Isabelle Grangé does not painted landscapes, it brought landscapes. Where?
Both of his own deep, his memories, his dreams and other travel, as those of matter itself, its laws opaque, its dense enigmas, its heavy secrets. But these worlds, so convincing, also present, not just obviously not alone.
It took the appeller.Et it took energy, knowledge, know-how, non-knowledge and not-do also, and even a little trance.
Isabelle Grangé creates a world as a medium relies on a spirit or a shaman's ally. And it is also not surprising that it is inteéressée these areas, but certainly unclear how powerful and present human experience.
Probably the same is this, this approach almost mediumnique of his work, illuminating his matiérisme a light so little materialistic, at the same time that its landscape an aura presqu'australe ...

Gérard Barri



Image Bleue
2006
Travel imaginary

The light. It is paradoxical obsession Isabelle Grangé.
This young artist has learned to paint by studying Rembrant and Turner.
But she also understood the messages Zao Wouki, Gerhardt Richter, Mark Rothko, great contemporary masters of the subtleties of light.
Designed in shades of brown or blue (earth, sky) his paintings eventually explode in deep black, under which clartés percent, underlying vibrant.
His paintings are crazy vessels for travel most fertile imagination.

Jacques Bouzerand



Image Solstice de la pierre
An invocation of the landscape

Extract

" steles of light or darkness pure, upright as the face of accusations of landscapes that mix.
Vertical uncertain as a memento of human ...
Ridden areas, horizons cropped on the night inside. Listening sources dark contemplation in the darkness, meditation along faults.
Zozen on the edge of potholes. "

Gérard Barrier



Image Les Hautes Terres
2006


 

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