Monique Dollé-Lacour - Brissot & Linz Gallery : Contemporary art gallery in Paris Verneuil, sculpture, painting

... Of course that the table is the opposite of a dream ... What is indeed a subject that slowing light, triggers the visible world? Monique Dollé Lacour develops before us a series of internal or fingerprints are these fossils. Images disappeared ... Remains exhumed simply snatched from oblivion by chance ...
... Art is what is ripped to death. The look takes us where we led the music or words. Behind colors, farther than inside, where join angles and bending, where the dissonance is the mother of all rhythms.
The painter we reported what we can not imagine without him: that in us which is out-of-us. That is why Monique Dollé Lacour is better than a set itinerary. It widens the gap issue a space ahead of geometry, which accelerates the balance and rejects the comparison, this excess of everything that we faced at the same time it no longer needs to face.
Dominique Grandmont (excerpts)

Huile s/papier 2006

Monique Dollé Lacour-or wandering shared.

E

Do we know the fate never signs?
Contemporary art has always integrates these strange signs, sometimes identifiable, sometimes sibyllins referring to the deep questions of the man, his daily concerns. They are the natural accompaniment of his battle with himself, fighting to live.
Traces of adventures individual or collective, they mark, marking the long march of hesitation, doubts, beliefs of humanity. These signs across time boundaries. They are as obvious on the works of today, where they proliferate.
From the cavern to the canvas walls of the desert, they will. They are.
Chez Monique Dollé-Lacour they came from Africa. Magic transmutation of passage, the ability to invent. They allowed the emergence of a language, vocabulary, writing specific. They resemble nothing, but signs remain.
Through them, through them Dollé-Lacour suggests a universe of life, ,savagery and curious appeasement ...

Michel Faucher

Huile s/papier

Dollé-Lacour works show her willingness to transcribe the most intimate, more secrets of nature, that matter as his gaze captures the spirit and the transforme.De flush out these secrets which nobody believes, these magical places where the infinitely small is manifeste.La power tar - material used for black-adds to trouble.Ce strong and dense material becomes lighter, air integrates a miracle in this or any proposed fleet, the move comes alive .
Here lies the uniqueness of the artist. The signs do not testify. They live. The multiplicity of ingredients, their variety, add to the impression of life that emerge from the work. The square format, the basis of this work, imposes its constraints. The artist seems to love them. She plans not signs, but his own. Those emerging from his imagination and shake his thinking. They resemble nothing, their accumulation, however, reveals a world very particular where everything seems familiar. There is, as a similarity with certainas travaus Japanese classics. The artist gives us to see improbable landscapes which only his mind mastered the complexities.
Behind a weakness, a soft apparent, the work of Dollé-Lacour tells us a world strong, violent and complicated where the accident has little place, where life-and excessive-organized triumph.

Huile sur toile

Thus, the paint-Dollé Lacour often presents itself to us with a balance in the centre of the canvas: center composition empty, or with a strong sign that marks its présence.Tout around, as the arms of a star, organize points shift: a spot of color that meets a griffure, a paper pasted, interlacing the whole part of a square base, and cosmological duel scene. We could stop there, surface only apprehended, we reassuring these subjects are well known, we reveal a creative violence. But what our gaze arises in the intervals where the air circulates and we are caught by the table. The plans will succeed ... We are in a maze where visual odours and matter are emerging another land.
Dollé-Lacour enters the crucible at the same time that it has selected elements. The various stages of settling, sublimation completed, the main thing is there. This memory of another time stands before us, bright and shiny, common denominator of a sacred space where the connection finally is revealed.

Jean-Yves Mesguich