To enter into the studio of Robert Brandy is something
like what Jean Portante wrote in his text
"Brandy: painting and its dual" open several seemingly
disparate worlds: the collector of sport cars and the inventor of the
double; And then our eyes peek at the work table. Consider the words
of Jean Portante: "First, there is a desk strewn with white
powder which caught the eye: blue almost Andalusian from flowing to
the green and red, yellow too, and all nuances that evokes and
provokes, scattered as if it contains the sum of all the tables already painted and still to be painted by Brandy. The
art of Brandy could be attributed to a so-called "support-surface",
the school, which impose on painter to be a total creator of his
works including the canvas and making his own paint from pigments. It
was in Aix-en-Provence, where he learned that. From Vincent Bioulès.
And it is the only thing that has made him the Academy. Everything
else, basically, it was drawn inside of himself.
"In
Brandy:" The painting and its dual" Jean Portante
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