Brissot Contemporary Art Gallery

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Result of the research Result of the research : 'ability'


The aesthetic of Emotion

  Merleau Ponty described the emotion as a constitutive
artwork of the Aura: One singular frame space-time, a sort of appearance of a
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Image THE WALL
The aesthetic of Emotion

  Merleau Ponty described the emotion as a constitutive
artwork of the Aura: One singular frame space-time, a sort of appearance of a
See the continuation... ]


Image Le Souffle

Image Huile s/papier 2006
Monique Dollé Lacour-or wandering shared.

E

Do we know the fate never signs?
Contemporary art has always integrates these strange signs, sometimes identifiable, sometimes sibyllins referring to the deep questions of the man, his daily concerns. They are the natural accompaniment of his battle with himself, fighting to live.
Traces of adventures individual or collective, they mark, marking the long march of hesitation, doubts, beliefs of humanity. These signs across time boundaries. They are as obvious on the works of today, where they proliferate.
From the cavern to the canvas walls of the desert, they will. They are.
Chez Monique Dollé-Lacour they came from Africa. Magic transmutation of passage, the ability to invent. They allowed the emergence of a language, vocabulary, writing specific. They resemble nothing, but signs remain.
Through them, through them Dollé-Lacour suggests a universe of life, ,savagery and curious appeasement ...

Michel
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Image The gallery
At the heart of the Left Bank, Carré Rive Gauche, between the Musée d'Orsay, the Musée Rodin, Maillol Museum and Saint Germain des Prés, is opened The Gallery Brissot Contemporary Art.  

The Brissot  Contemporary Art Gallery is managed by Bénédicte Chauliac, who with her well-experienced eye and rich literary culture wants to immerse the visitors of her gallery in the heart of the narrative processes of her artists: poems, fairy tales, dreams, authentic writings, legends... the variability of the sources of inspiration for the literal decryption of the modern art, which gives the Brissot Art Contemporary Gallery a special place on the Parisian scene. “The important thing in life is the ideal” - says Mrs. Chauliac quoting Joseph Kessel, who was long a teacher and a best friend of her grand-father, she continues: “the ideal is what you live for, and will be”. It is with this citation that Mrs. Bénédicte Chauliac addresses to the artists with whom she chooses to work. No doubt, it is this aspiration and his beautiful humanity that helps to create the extra bit of soul of his gallery.
“To share our enthusiasm for the artists and their works, to a large audience, host and reveal emerging young artists in a variety of trends, and new eyes to the world around us, a world where art and knowledge are not contradictory "

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