Sophie
Melon models the concrete Sikatop as someone rotates the clay. She ascends the
forms at the limit after which they reveal themselves. So, it's for us to continue the game and to recognize the shapes and their time context : Neolithic stone stele, raku, grinding wheel, megalith
anthropomorphic, cylinder seal, be frozen dam its gangue lava.
The matter formed and shaped like this seems to have a print, a trace of the human being. Moore removed the form to display the
human before his death, Giacometti stops at the
instant when the form appears in its full expression. Sophie Melon leads us where those limits should scrutinize the eye.