Ouroboros

Kawarga - a biomorphic radical

By presenting myself as a biomorphic radical, I'm subscribing myself into specific circle of the creative research distanced from the "conventions" of the mainstream of art environment.

I'm pretending to be a scientist experimentalist who has discovered himself in the middle of his own experience who feels himself like a kind of a biological art-instrument to materialize an invisible physiological processes, to bring their three-dimensional projections into reality.
The object of the research is my own conscience, my perception, production of thoughts and the psycho-physiology of other beings and even inanimate. 

I always had a special relationship with art, that has developed since my childhood. Each new work is a part of an inner evolution of my perception of reality and it transforms my attitude to events in my life. These changes, in turn, renew my priorities established. I wonder how far this series of intermingling will lead me...

Until 1999, I studied only painting, but my works became more textured, as if they swelled and gradually if part of the surface was still smooth, the other heavy with texture relief sought to break with the smooth part in transforming itself into three-dimensional sculpture.

Then an imaginary barrier fell including myself. It became clear that while remaining within the traditional fine arts could use the same principle of evisceration to a three-dimensional reality not only symbols of the visible material world but also what is their source, their gives birth - fragments of abstract thoughts materialize (мыслеформы), mussels thoughts (мыслеслепки), models of consciousness, fragments of perception, reflexes, gestalts. Neither quite sculpture or installation really, the original artifacts are achieved by immersion in nature, "intrinsic" of consciousness and subconsciousness.

The recent works are based on a synthesis of science and art, and they involve contact bio-reciprocal (биообратный) with the public: They emit audio noise and vibration of different frequency. Reacting to the touch and rhythm of the blood of living human body, warming the hands, voice, respiration, pulse in my sculptures twitch, move, pulsate and scream. It seems they are fertilized by each contact, they will feel fuller more information on the human body all around. So my creative ideas are still malleable and flexible, and fill the energy of people, their thoughts and rhythms ...

D. Kavarga
www.kawarga.ru